“The Voice of Hind Rajab” premiere at the Venice Film Festival proved to be a hugely emotional event, with very few dry eyes.
"We often describe certain challenging or button-pushing films as hard to watch; fewer are categorized as hard to listen to. In “The Voice of Hind Rajab,” the voice in question is a small one, belonging to a young girl alone and in unconscionable peril, high and breathless with fear and confusion. But it cuts through Kaouther Ben Hania’s film with piercing clarity, largely because, in contrast to a surrounding chorus of frantic adult voices, it isn’t performed. Rather, it’s a real-life recording of the last words ever spoken by Rajab, a 5-year-old Palestinian child killed on Jan. 29, 2024, after her family’s car was shelled by Israeli forces during their invasion of the Gaza Strip." (variety.com)
The Director, Kaouther Ben Hania's statement: "Here’s how it all began: I was in the middle of the Oscar campaign for Les filles d’Olfa, and mentally preparing to finally enter pre- production on a film I had been writing for ten years. Then, during a layover at LAX, everything shifted. I heard an audio recording of Hind Rajab begging for help. By then, her voice had already spread across the Internet. I immediately felt a mix of helplessness, and an overwhelming sadness. A physical reaction, like the ground shifted under me. I couldn’t carry on as planned. I contacted the Red Crescent and asked them to let me hear the full audio. After listening to it, I knew, without a doubt, that I had to drop everything else. I had to make this film. I spoke at length with Hind’s mother, with the real people who were on the other end of that call, those who tried to help her. I listened, I cried, I wrote. Then I wove a story around their testimonies, using the real audio recording of Hind’s voice, and building a single-location film where the violence remains off-screen. That was a deliberate choice. Because violent images are everywhere on our screens, our timelines, our phones. What I wanted was to focus on the invisible: the waiting, the fear, the unbearable sound of silence when help doesn’t come. Sometimes, what you don’t see is more devastating than what you do. At the heart of this film is something very simple, and very hard to live with. I cannot accept a world where a child calls for help and no one comes. That pain, that failure, belongs to all of us. This story is not just about Gaza. It speaks to a universal grief. And I believe that fiction (especially when it draws from verified, painful, real events) is cinema’s most powerful tool. More powerful than the noise of breaking news or the forgetfulness of scrolling. Cinema can preserve a memory. Cinema can resist amnesia. May Hind Rajab’s voice be heard." (LA BIENNALE DI VENEZIA)
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